![]() Keep in mind that typically with Renoise, you're working with a fixed grid resolution, so depending on how micro you want to go with your edits, you probably want to start your song at that resolution. In certain ways, it's very easy to do some things that are complicated and take longer in linear DAWs. I find it really easy, fast, and somehow more creative to make edits with. To your question, I make music in this same genre. It might be one of the spreadsheetiest, haha. I want to feel like my computer is an instrument, not an excel sheet.īwahaha, Renoise may not be for you then ) I kid, only because Renoise is often accused of being a spreadsheet, lol. What I am curious is if Renoise would help, or hinder the style I am going for. And yes, I do know that any DAW or tracker can make any type of music. But I don't want to commit all that time if this isn't the right tool for the job. I know I can demo it and find out for myself. But most of the music I can find and tutorials for it are all DnB. It seems from what I can find, Renoise helps lots of people who don't find a traditional DAW to be a productive environment. I want to feel like my computer is an instrument, not an excel sheet. I also find the super "linear" nature of these DAWs kills my creativity. ![]() It is super tedious and I feel there must be a better alternative. I especially notice this when I am trying to make small little microedits that you hear with Tipper a lot. It feels like there is always a massive input delay from idea in head, to sound in speaker. But I find the workflows of these DAWs don't really mesh well with me. I started out using Ableton cause that was what everyone else used, and as of late I have been using Bitwig. ![]() I make mostly "space bass", and the type of stuff I want to make is similar to Tipper, CharlesTheFirst, Liquid Stranger, Supertask, just to name the big ones. I am curious how this DAW works for super fine micro editing, like the stuff you hear in most IDM. First off, sorry if this type of thing gets asked a lot.
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